Tuesday, September 22, 2009

Week of 9/21-25

Monday--Go over readings Things They Carried "How to Tell a True War Story" "Sweetheart of Song Tra Bong"

Tuesday--
Continue discussion from Monday;
Review vocabulary words for Quiz on Friday
Show remainder of O'Brien video "All I could do was gape at the fact of the young man's body"

What is postmodernism?

The term Postmodern literature is used to describe certain tendencies in post-World War II literature. It is both a continuation of the experimentation championed by writers of the modernist period (relying heavily, for example, on fragmentation, paradox, questionable narrators, etc.) and a reaction against Enlightenment ideas implicit in Modernist literature. Postmodern literature, like postmodernism as a whole, is hard to define and there is little agreement on the exact characteristics, scope, and importance of postmodern literature. However, unifying features often coincide with Jean-François Lyotard's concept of the "meta-narrative" and "little narrative," Jacques Derrida's concept of "play," and Jean Baudrillard's "simulacra." For example, instead of the modernist quest for meaning in a chaotic world, the postmodern author eschews, often playfully, the possibility of meaning, and the postmodern novel is often a parody of this quest. This distrust of totalizing mechanisms extends even to the author; thus postmodern writers often celebrate chance over craft and employ metafiction to undermine the author's "univocal" control (the control of only one voice). The distinction between high and low culture is also attacked with the employment of pastiche, the combination of multiple cultural elements including subjects and genres not previously deemed fit for literature. A list of postmodern authors often varies; the following are some names of authors often so classified, most of them belonging to the generation born in the interwar period: William Burroughs (1914-1997), Alexander Trocchi (1925-1984), Kurt Vonnegut (1922-2007), John Barth (b. 1930), Donald Barthelme (1931-1989), E. L. Doctorow (b. 1931), Robert Coover (1932), Jerzy Kosinski (1933-1991) Don DeLillo (b. 1936), Thomas Pynchon (b. 1937), Ishmael Reed (1938), Kathy Acker (1947-1997), Paul Auster (b. 1947)[1], Orhan Pamuk (b. 1952).


4 comments:

  1. This comment has been removed by the author.

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  2. The girl who went to Vietnam must have lost some sense of reality because she became so obsessed with what was going on around her. She must have just shut out all of her conscience and devoted all of her time and mind to the war.

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  3. The young girl probably felt the need to join the war due to her pride for her country, she probably felt that she needed to help out this catastrophe that was going on, in any way that she possibly could. As to why she would want to go out and fight and put her life at stake, I do not know... There must've been other jobs she could've volunteered herself for, but she felt that being out on the battlefield was the most significant act of courage she could perform.

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  4. 1. How is that such a young girl was allowed to travel to this dangerous place?

    2. I wonder if Mark genuinely wanted to marry Marry Anne?

    3. Did if the soldiers perception of women changed after this incident?

    1. It's interesting the most unbelievable story is the one that RAt defends the most

    2. It's intersting how Rat was the only one to see her return

    3. The image of the pink sweater is powerful especially contrasted with the war scenes

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